• "Amazing setting, lovely people, great mix of music & a real ale tent right next to where I was DJing!"  - Mr Scruff

  • "It's unlike any other festival. One of the highlights of summer!"  - The Charlatans

  • "Kendal Calling is the best small festival in anywhere and everywhere!"  - Seasick Steve

  • "Kendal Calling is loved as much for its breathtaking setting in rolling green fields as for its top-notch lineup"  - Sunday Times

  • "Run to the hills for this small, family-friendly indie-dance festival. Small but beautifully formed"  - The Independent

  • Best Medium Festival 2013 & 2016 Best Small Festival 2010 & 2011, Best Toilets 2015!

  • "I loved Kendal Calling!"  - Mark Chadwick, The Levellers

  • "It's like Glastonbury at its best!! Happy beautiful people from the north. Long live Kendal Calling!"  - Doves

Brian Wilson 1

Due to Phenomenal Public demand in the UK Brian Wilson returns one last time to present ‘Pet Sounds’ in its entirety plus Greatest hits.

He is one of popular music’s most deeply revered figures, the main creative force behind some of the most cherished recordings in rock history. Indeed, it is no exaggeration to call Brian Wilson one of the most influential composers of the last century. Wilson’s remarkable journey began in a modest Hawthorne, California home that was filled with music. His mom and dad both played piano, and as a young “boy soprano,” Brian’s vocal gift was immediately evident. He had also started singing harmonies…literally “in their room”…with his two younger brothers (Dennis and Carl). As a teen in the 1950s, he became obsessed with the harmonic blend of groups like the Four Freshmen, and then, in the early 1960s, inspired to combine multi-part vocal harmony with the rock rhythms of Chuck Berry, Brian found his place in the musical sun. He was barely out of his teens when he began to create some of the most beloved records ever… nine consecutive “gold” albums that featured such classics as “Surfer Girl,” “In My Room,” “I Get Around,” “Don’t Worry Baby,” “Fun, Fun, Fun,” “Help Me Rhonda” and “California Girls”…just to name a handful of the more than two dozen Top 40 hits Brian co-wrote, arranged, produced and performed on with his family band, the Beach Boys. 

By 1966, though, glorious harmonies, ingenious hooks and four years of virtually uninterrupted creative growth and commercial success was no longer enough to satisfy Wilson, and as his artistic horizons expanded dramatically, he produced three records in that landmark year that forever changed the course of popular music. 

The first was Pet Sounds; the emotional autobiography of its 23-year old “auteur,” it is considered by many to be one of the greatest albums ever made. In the process of bringing it to life, its composer, arranger and producer (that is, Mr. Wilson) rewrote all the rules of what a record could be; as one observer noted, its release was “Independence Day” for rock ‘n’ roll. Primarily working with a new collaborator (lyricist and songwriter Tony Asher), the album featured a dozen originals (including two astounding instrumentals); Pet Sounds was a musical canvas as boundless as Brian’s heart.