• "It's unlike any other festival. One of the highlights of summer!"  - The Charlatans

  • Best Medium Festival 2013 & 2016 Best Small Festival 2010 & 2011, Best Toilets 2015!

  • "I loved Kendal Calling!"  - Mark Chadwick, The Levellers

  • "Amazing setting, lovely people, great mix of music & a real ale tent right next to where I was DJing!"  - Mr Scruff

  • "Kendal Calling is the best small festival in anywhere and everywhere!"  - Seasick Steve

  • "Run to the hills for this small, family-friendly indie-dance festival. Small but beautifully formed"  - The Independent

  • "It's like Glastonbury at its best!! Happy beautiful people from the north. Long live Kendal Calling!"  - Doves

  • "Kendal Calling is loved as much for its breathtaking setting in rolling green fields as for its top-notch lineup"  - Sunday Times

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For Honeyblood frontwoman Stina Tweeddale, the title of her band’s second album came from somewhere close to her heart, literally. “I have those words tattooed on my ribs,” she smiles. “I guess you could call it a war cry; to have the faith to never let yourself be defeated.” ‘Babes Never Die’ is not a shy motto, and one that’s triumphant sentiment rings throughout Honeyblood’s exceptional sophomore record. “The title is my own mantra,” Stina explains of the follow-up to their eponymous 2014 debut, which landed in many of the year’s most revered Best Of lists, with perfect score reviews from everyone from NME to DIY. “I think it’s something I tell myself every day. Indifference is a plague. Giving up and turning a blind eye will be the end of us. Never before has that been more true than now. Perhaps we should stare straight into the face of what frightens us and say that we will never let them win. When I use the word ‘Babe’ I don’t see it as gendered. I just wanted to share the phrase and the power it gives me. Saying that, like most Honeyblood lyrics, it is vaguely facetious.”

From the thundering intro bars of the opening title track it’s clear it’s an album that’s bite will live up to is bark. It’s an album that feels like it’s on a mission. One that won’t let go. But if the Glasgow band -Stina, alongside drummer Cat Myers- have created anything of a signature atmosphere, its one that’s as playful as it is impassioned. Over ‘Babes’…’ 11 tales of drama, horror, lust and laughs, never has that been more true. “There’s a strong narrative theme that runs throughout the record, a sort of chaotic empowerment,” she explains. “I wrote songs with real characters, more like stories. There’s a dark undertone throughout. I wanted gruesome romance stories rather than whiney love songs.“