• "It's like Glastonbury at its best!! Happy beautiful people from the north. Long live Kendal Calling!"  - Doves

  • "I loved Kendal Calling!"  - Mark Chadwick, The Levellers

  • Best Medium Festival 2013 & 2016 Best Small Festival 2010 & 2011, Best Toilets 2015!

  • "It's unlike any other festival. One of the highlights of summer!"  - The Charlatans

  • "Run to the hills for this small, family-friendly indie-dance festival. Small but beautifully formed"  - The Independent

  • "Amazing setting, lovely people, great mix of music & a real ale tent right next to where I was DJing!"  - Mr Scruff

  • "Kendal Calling is the best small festival in anywhere and everywhere!"  - Seasick Steve

  • "Kendal Calling is loved as much for its breathtaking setting in rolling green fields as for its top-notch lineup"  - Sunday Times

The first thing that hits you is the voice. Alex Lipinski’s caressing sympathy, full-throated resentment, and the raw rockabilly excitement of earliest Elvis have grabbed unwary listeners from the West Country to Krakow, Berlin and New York, since he first left Somerset to become a crucial habitué of Soho’s legendary, lost 12-Bar Club. He has followed in the footsteps of his hero Dylan to write in the Chelsea Hotel, and sung Elvis songs in the home of an admiring Liam Gallagher, who is a firm champion.

With older brother and fellow musician Adam Lipinski by his side at Newcombe’s residential studio in Berlin, ‘Alex’ basically took six hours. “Anton put a lot of time and energy in. I recorded with an old guitar, because he wanted to capture the effortless, timeless ‘60s records that he had in his mind. We had initially planned to be in the studio for three or four nights. The first evening we rattled though the songs, a take or two of each and in those six hours everything clicked. By midnight we were done. We ended the evening by going to a great bar called 8mm. Anton set up a gig there the following night and played old folk records, then we played a live set. We added small overdubs on the record later. But the album captures the character of the songs live with no frills. The slight imperfections add to the feel. Anton taught me about perfect mistakes.”