• "Small, perfectly formed and serving up a wealth of old-fashioned hospitality"  - The Telegraph

  • "Amazing setting, lovely people, great mix of music & a real ale tent right next to where I was DJing!"  - Mr Scruff

  • "Kendal Calling is the best small festival in anywhere and everywhere!"  - Seasick Steve

  • "It's unlike any other festival. One of the highlights of summer!"  - The Charlatans

  • "One of the UK’s most picturesque festivals..."  - The Guardian

  • "I loved Kendal Calling!"  - Mark Chadwick, The Levellers

  • Best Medium Festival 2013 & 2016 Best Small Festival 2010 & 2011, Best Toilets 2015!

  • "Beautifully brilliant... one to remember"  - Manchester Evening News

  • "It's like Glastonbury at its best!! Happy beautiful people from the north. Long live Kendal Calling!"  - Doves

  • "Run to the hills for this small, family-friendly indie-dance festival. Small but beautifully formed"  - The Independent

  • "Kendal Calling is loved as much for its breathtaking setting in rolling green fields as for its top-notch lineup"  - Sunday Times

Something American is the debut of an impossibly confident artist and a distinctive new voice. With the powerful impact of a full album and the fine nuance of a novel, these five songs blend traditional country, vibrant pop, insightful folk, and hollered blues into a heady mélange both fresh and familiar. They reveal a songwriter who emphasizes melodic craft and emotional subtlety, a singer willing to push her instrument as far as it will go, a personality defined by its contradictions: sharp-witted yet vulnerable, dead-serious yet often drop-dead funny, young but incredibly wise.

The London-based singer-songwriter has been working on Something American for most of her life. “My dad was in the army,” she says, “so I moved about a lot when I was younger. I’m not really from anywhere in particular.” When her parents divorced, she settled in South Wales with her mother and grandmother, but she had already absorbed so much of the world, transforming her experiences into lyrics and songs. Barely a teenager, she learned to play guitar and started writing her own lyrics, slowly at first but gradually with more determination, eventually settling into an intense song-a-day pace. Some were good, others better left forgotten, but the process sharpened her chops and shaped her approach to songwriting. “It’s a craft in its own right. If you’re a painter, you paint everyday. If you’re a sculptor, you sculpt everyday. For me songwriting is the same thing. It’s something you do everyday.”

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