• "Kendal Calling is loved as much for its breathtaking setting in rolling green fields as for its top-notch lineup"  - Sunday Times

  • Best Medium Festival 2013 & 2016 Best Small Festival 2010 & 2011, Best Toilets 2015!

  • "One of the UK’s most picturesque festivals..."  - The Guardian

  • "Beautifully brilliant... one to remember"  - Manchester Evening News

  • "Kendal Calling is the best small festival in anywhere and everywhere!"  - Seasick Steve

  • "It's like Glastonbury at its best!! Happy beautiful people from the north. Long live Kendal Calling!"  - Doves

  • "Amazing setting, lovely people, great mix of music & a real ale tent right next to where I was DJing!"  - Mr Scruff

  • "Small, perfectly formed and serving up a wealth of old-fashioned hospitality"  - The Telegraph

  • "Run to the hills for this small, family-friendly indie-dance festival. Small but beautifully formed"  - The Independent

  • "I loved Kendal Calling!"  - Mark Chadwick, The Levellers

  • "It's unlike any other festival. One of the highlights of summer!"  - The Charlatans

“This is the most complete thing I’ve ever done”, says Johnny Marr. “There are no songs I’m not sure about. And for me as a listener, it’s made up of entirely the music I like, and have liked.”

Call The Comet is his third solo album. Recorded over nine months in his new studio and HQ just outside Manchester, it’s a vivid, immersive, brilliantly evocative record, which develops the music explored on its two predecessors – 2013’s The Messenger, and Playland, released in 2014 – and adds a new emphasis on atmosphere and drama. In response to our confused, fretful times, many of its songs look to ideas of an alternative society and utopian futures, while retaining an all-important openness and sense of mystery. Most obviously, the album is also full of the pre-requisites of compelling music, which Marr understands as a matter of instinct.

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