• "Run to the hills for this small, family-friendly indie-dance festival. Small but beautifully formed"  - The Independent

  • "It's like Glastonbury at its best!! Happy beautiful people from the north. Long live Kendal Calling!"  - Doves

  • "It's unlike any other festival. One of the highlights of summer!"  - The Charlatans

  • "Amazing setting, lovely people, great mix of music & a real ale tent right next to where I was DJing!"  - Mr Scruff

  • Best Medium Festival 2013 & 2016 Best Small Festival 2010 & 2011, Best Toilets 2015!

  • "Kendal Calling is the best small festival in anywhere and everywhere!"  - Seasick Steve

  • "I loved Kendal Calling!"  - Mark Chadwick, The Levellers

  • "Kendal Calling is loved as much for its breathtaking setting in rolling green fields as for its top-notch lineup"  - Sunday Times

Currently celebrating 20 years piloting the revered record label Bella Union, Simon Raymonde has scaled another personal peak, a new collaboration with drummer Richie Thomas. They’re called Lost Horizons, and though neither of them have strictly been lost, their stunning debut album, Ojalá, is a rare sighting of two gifted musicians who, for different reasons, have been largely absent from music-making for the last 20 years. Yet the record is proof of a telepathic relationship through music, established when the pair first became collaborators and friends in the eighties.

Together, the Lost Horizons ensemble has created an hour of exquisite, expansive and diverse spellcasting, from facets of soul (‘Bones’, featuring Cannon, and ‘Reckless’, featuring Ghostpoet) to dreamier invocations like ‘She Led Me Away’ (featuring Smith) and Ojalá’s lengthiest trip, ‘The Engine’ (featuring Riman). There’s the odd louder, faster detour, like ‘Life Inside A Paradox’ (featuring Neal, with Sharon Van Etten on backing vocals, and the first Lost Horizons track to emerge, on a split 7” single with Mercury Rev, for Record Store Day 2016), but the dominant mood is a deep, rich melancholia. “It’s just something I’m drawn to,” says Raymonde. “But he was equally drawn to working with Thomas.