• "It's like Glastonbury at its best!! Happy beautiful people from the north. Long live Kendal Calling!"  - Doves

  • "Beautifully brilliant... one to remember"  - Manchester Evening News

  • "Amazing setting, lovely people, great mix of music & a real ale tent right next to where I was DJing!"  - Mr Scruff

  • "One of the UK’s most picturesque festivals..."  - The Guardian

  • "Small, perfectly formed and serving up a wealth of old-fashioned hospitality"  - The Telegraph

  • "Run to the hills for this small, family-friendly indie-dance festival. Small but beautifully formed"  - The Independent

  • "Kendal Calling is the best small festival in anywhere and everywhere!"  - Seasick Steve

  • "It's unlike any other festival. One of the highlights of summer!"  - The Charlatans

  • Best Medium Festival 2013 & 2016 Best Small Festival 2010 & 2011, Best Toilets 2015!

  • "Kendal Calling is loved as much for its breathtaking setting in rolling green fields as for its top-notch lineup"  - Sunday Times

  • "I loved Kendal Calling!"  - Mark Chadwick, The Levellers

If you have ever seen The Murder Capital live then what will strike you most about the experience is not the heaviness, the bleakness or the rage you might expect, but witnessing a most extreme vision of tenderness. Their debut album, ‘When I Have Fears’, recorded over the Spring with Flood (PJ Harvey, Nick Cave & The Bad Seeds, New Order etc.), embodies this tenderness; it is a purple bruise on the hard knee of the so-called post-punk resurgence. It is not a labour of love but a struggle through love, loneliness and grief that now sits weightless upon their five shoulders, not marching, but dancing, out into the cold light of day. It exists in two worlds which oppose each other yet breath each other’s air, because ultimately it is an album about accepting that which you fear, loving that which you hate, feeling the excess that can only be found in isolation. The name, ‘When I Have Fears’ acknowledges its own vulnerability, and was given very early on to ensure that consistency of thought, and that beautiful arch in the narrative which gives space for the purging of guilt and leads, ultimately, to its final cathartic moments.

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